Institutional & Library Information

These Tiny Dimensions / Held Stories Archive

Archive Overview

These Tiny Dimensions and Held Stories together form a living archive of contemporary narrative and reflective work documenting quiet human encounters, memory-adjacent experience, and interior observation within ordinary life.

The archive is maintained for long-horizon continuity rather than trend-aligned publishing. New works are added as they reach preservation standard and are then retained as part of a permanent, growing corpus intended to remain accessible over time.

Although individual works are fictional or reflective in nature, the archive is maintained as a record of emotionally and observationally true human moments rather than topical commentary or episodic media output.

Orientation for Institutional Readers

For institutions or archivists encountering the corpus for the first time, the following entry sequence is recommended for contextual understanding:

1. Held Stories — Representative Entry Points

Held Stories provides the clearest view of the archive’s narrative philosophy, tonal consistency, and preservation model through narrated contemporary literary short fiction.

2. Manuscripts — Primary Written Narrative Foundation

Manuscripts represent the core written narrative record and establish the long-form structural continuity of the archive.

3. These Tiny Dimensions — Philosophical Contextual Layer

These works provide non-fiction observational context surrounding the narrative corpus and document the conceptual environment in which narrative work is produced.

4. Companions — Reflective Margin Documentation

Companion texts provide associative or reflective context and are best understood as marginal archive material rather than primary narrative entries.

5. Chronicles — Parallel Non-Contemporary Narrative Record

Chronicles should be understood as a separate narrative stream documenting non-contemporary narrative structures and myth-adjacent storytelling.

Institutions evaluating preservation, acquisition, or reference suitability may find Held Stories and Manuscripts to be the most direct initial evaluation surfaces.

Corpus Structure

The archive is organized into distinct but connected bodies of work:

Held Stories (HS)

Narrated contemporary literary short fiction presented in static visual audiobook format. These stories document routine human days intersecting with subtle anomalies, ambiguity, or emotionally unresolved moments.

Manuscripts

Primary written contemporary fiction corpus without performance constraints. Manuscripts represent the foundational narrative body of the archive.

Chronicles

Non-contemporary narrative works including historical, speculative, and myth-adjacent storytelling preserved as written narrative documents rather than performed media.

Companions

Reflective, observational, and philosophical writing produced alongside narrative work. These texts often document associative or liminal observations connected to creative process and lived experience.

These Tiny Dimensions (TTD)

Non-fiction philosophical and observational media exploring perception, meaning, and lived experience.

Each corpus is maintained with stable identifiers, chronological placement, and edition lineage for long-term catalog clarity.

Preservation & Canonical Artefact Model

The archive follows a preservation-first production model.

Canonical artefacts are defined as:

• Master manuscript text
• Master narration audio (when applicable)

Presentation video editions exist as access formats and are not considered canonical preservation artefacts.

Works are released using a release-when-ready model. A work is considered complete only when it is:

• Preservable in canonical form
• Publicly listable within the archive
• Accessible without dependency on future explanation or completion

Multiple artefact forms may be released over time from the same canonical source (text, audio, presentation video, and future edition formats).

Continuity & Preservation Intent

The archive is designed around long-term continuity rather than creator-dependent publishing cycles.

Canonical artefacts are maintained in preservation-stable formats and are cataloged in a manner intended to support future archival transfer, institutional preservation, or estate-managed continuity if required.

The archive is structured so that individual works remain contextually intact even if production cadence changes over time. Catalog structure, identifier stability, and canonical artefact hierarchy are prioritized to support long-term usability independent of release frequency.

The intent of the archive is durability, not volume.

Funding Alignment and Archive Independence

The archive welcomes preservation-aligned financial support that strengthens long-term continuity, accessibility, and responsible distribution of the work.

Support is understood as enabling:

  • Long-term preservation and storage integrity
  • Continued public and institutional access
  • Stable distribution infrastructure
  • Operational continuity across time

In accepting support, the archive maintains full independence in all creative, editorial, structural, and release decisions. External funding does not confer authority over corpus development, interpretive framing, publication timing, or archival structure.

Recognition of support is provided in a manner consistent with archival documentation and historical record-keeping. Recognition does not alter archive identity, authorship attribution, or corpus positioning.

Cataloging & Metadata Discipline

The archive maintains consistent internal cataloging including:

• Stable corpus identifiers (e.g., MS-1-001, S1E05, CH-1-001)
• Edition taxonomy including Seasons, Volumes, Compendiums, and Omnibuses
• Canonical artefact hierarchy (text and audio prioritized)
• Chronological corpus continuity tracking

This structure is designed to support long-term discoverability, archival reference, and potential institutional integration.

Potential Institutional Use Contexts

The archive may be suitable for consideration within contexts such as:

• Library digital literary collections
• Contemporary literary audio archives
• Educational literary reference materials
• Long-term narrative preservation partnerships
• Anthology inclusion (audio or text)
• Grant, bursary, or cultural preservation support frameworks

This page is informational and not intended as a solicitation or pricing document. Licensing and use discussions are handled case-by-case to preserve archive continuity and integrity.

Operational Stability Signals

The archive operates under formal business structure and professional accounting oversight.

Distribution is currently focused on Canada and the United States for digital artefacts to maintain regulatory simplicity and long-term sustainability. Future expansion is evaluated cautiously to preserve low-overhead archival continuity.

The project is operated under an archive-first philosophy prioritizing long-term availability, corpus identity continuity, and preservation-quality artefact preparation.

Contact the Archive

For institutional inquiries regarding access, acquisition, licensing, or archival collaboration, please use the contact form in the 'Contact' header link.